Here is meant a comic tenor, very demanding in terms of stage. We see in this role a mezzo (how that is arranged vocally is beyond me), namely Stefanie Bruggeling. In terms of stage, she is in excellent form. She has a dexterity that goes in the direction of dancing, very welcome for the coloring of the passing roles.
Transformations, 2024 (Place de l'Opera)
The sorceress (Stefanie Bruggeling) and her two witches lived out their vicious roles to the fullest. This is not about beautiful singing, but about being mean, and the trio exuded that amply.
Dido & Aeneas, 2022 (Koen Edeling)